studilaroche

shoobee tee too tah tah

no comment

037 intent -> i'm pretending to be at the beach this week. i know it's cold here, but it's still very nice to stay at the beach house. my eyes are closed, i feel the wind on my face and smell the water, salted black. i'm having a beer, and it is good.

:036 march is losing face parts III and II feat.

live at southern living at its finest in atlanta, ga, usa ->beaux latham, alex lowe, erin igney, ben price, john rogers -> rough mix -> end of the night ->

OMG.
feat. Stella LaRoche and Papa.

magnanimus. b_e_n_@_s_t_u_d_i_l_a_r_o_s_h_e_._c_o_m_

no comment. bee eee enn at (s)tudilaroche dot com

so here it is...xmas part deux dredux by luxurious manomallomarophilia this song takes a cue from the past: use your balance control when ther strings come in, ther only in the right and the guitar is only in the left, so you can mix and match. mono is your friend.

:030: a magical number this comes:annual xmas ep two thousand seven
ne tune, not so much a song, but a collection of sounds:family (feat ersatz rehearsal pt III, also feat xxx) by b. price. produced by said person at studilaroche, atlanta, ga:this one was a quick one:emailsmeme studilaroche@podomatic.com : i think that's it. many extra special thanks to erin for the absinthe that made this possible, though she doesn't know it yet. don't be mad, erin. and special thanks to chris for the silver face bassman head.

commentatorship: this is just a demonstration that i'd really like to get off my hard drive. good day, sir. art
J*J* *B*l*a*i*r*

:028 -> this one i pulled off a while back because it's a huge file and I was running out of space on the server. I'm paying huge sums of money to host this podcast now. as you may have noticed, I've added a PayPal 'donate' button on the right. Feel free to support my body. Now if only there was a way to put it back in it's original place. oh well, what an xxx supposed to do in this world run by ?
this is a video feat. beaux theaux lathameaux, craig foley and b. price. dig those psychedelic blobs!

This is an advertisement I did for Mopar that didn't get used. I can't imagine why. This is the demo mix - we didn't even get past the demo stage in our relationship. Oh where, oh where can my baby be? thisisstilltemporary@yahoo.com > I should also mention that this is the afore mentioned 30 second song, i suppose third in a series of ~thirty second songs.

:026 warbleleighwarbullee: a pleasant sale of two titties. produced by ben price for studilaroche productions, inc>lyrics: blah, blah, blah>email me your thoughts, and yes, this really is only thirty-one seconds long>thisisstilltemporary@yahoo.com>thus begins part two of a thirty second or so extravaganza>part zero: the prequel is done already, but i've lost it, or somethinG, I MEAN>it's temporarily unavailable>maybe later>

this is a record of vacation time at the beach. wrightsville beach, nc, to be exact. al recorded whilst on vacation at the beach > nuclear hot dogs ! > produced by ben price for studilaroche productions >

feat. stella laroche and libba. recorded on vacation in wrightsville beach, nc. > produced by ben price at studilaroche. thanks to the parsley fam for the house.

contents:

:020 no comment.

lead vox-stella laroche piano-stella laroche + b. price>produced at studilaroche>love song to a mother, by stella laroche>contact:ben@disguisethesky.com >

recorded at rehearsal on 08 july 2007 at home. this was recorded, on the fly, to a wire recorder that I found in an abandoned farm in northeast massachussets. it ran out of wire, which would explain the abrupt ending, well, at the end. the performance went on for another twenty minutes or so. Of course they were the most brilliant twenty minutes of our lives, not to be recorded. all my most brilliant moments are like that. tempting, eh? contact: ben@disguisethesky.com > feat. b. price and e. igney > a prelude to july 20 at the vinyl

:018: blue skies an clear: a lovely, albeit short, piece by beaux latham and ben price, mostly beaux theaux. produced by ben price and beaux latham at studilaroche, of the spence varietal. contact, no really, i'd love to hear from you: ben@studilaroche.

recorded mixed mastered at studilaroche (.com). feat. e. igney and b. price this started as a high resolution recording. now it's a fucking mp3. pretty righteous. is there meaning here? is it good? ask kkkory baker on that one, dude. ben@studilaroche.c

no comment.

deadpan alley live at southern living at its finest in atlanta, georgia, usa, 2X Dec 2003, feat. ben price (guitar), justin aldridge (drums/perc), alex lowe (flute/perc/guitar) and erin igney (piano). produced by ben price / studilaroche@redtuxedo.com

studilaroche presents: an evening with the gang and absinthe, vodka, scotch, whisky, beer and ? , new year's evening two thousand six, actually/ /produced at studilaroche by ben price/featuring: e.igney, k.baker, m. haslam, b.price/s. laroche/m.larocheema

welcome to the annual xmas/not xmas/xmas ep-again, reduced to one song-just because-produced/engineered/arranged at studilaroche by ben price/erin igney played some keyboards and theremin (simulcast in delay by ben)-this recording is ideal in stereo and _

this rough mix was found an a cassette that had been supporting a couch for years. it's crushed, especially at the end! email studilaroche@redtuxedo.com

wherein: an album is scrapped, presumed lost, searched for and not found, time passed, time passed, time passed then i found a tape of rough mixes and now here they are for your pleasure, hopefully the lost album of pile : there's something on my tongue/ email studilaroche@redtuxedo.com for more details. (featuring e.igney, b.latham, d.brown,b.moon,j.rogers,c.foley,a.lowe,m.laroche,j.cale,more to come/thanksforlistening/?)

this podcast:'skeleton': a piece composed for three electric guitars and three leslies. recorded 30 september 2006. mixed 03 October 2006. engineered at studilaroche by ben price. many thanks to mark harper for the use of the gibson 330.
email ben at disguisethesky.com

this is vacation song: laptop + a little time = this piece of sound and/or music. that's erin on the electronic key-boards. we cut that a long time ago at the old red tuxedo studio on spring street. then i compiled all the other sounds. good night. most of this was put together on vacation, at the beach. a great time.

after rehearsal last night, erin stayed late and she performed this piece. we ran as much as we could stand to through the lousy public address system that was recently acquired. it has a particular sound; it includes a shit-ton of hiss. so dig this lo-fi, um, piece.

this is taken from a recording of a DeadPan Alley show at the Star Bar in Atlanta, Ga (Little Five Points) on 7 Feb 2003. As it turns out, this was the only show we were privileged to play with Ricky - you are sorely missed. Ricky dictated that we would improv the piece and that it shall not go longer than one minute. sounds like ricky, doesn't it?

this is one of many songs that were originally composed at the outset of what became the disguise the sky album 'all things can be'. there are ten or so more songs in various states of decomposition. most of this is simply a mood piece, i suppose. a few sections are rather skeletal. enjoy.

= two days, 48 hours. the first cycle: the beat, bass, keys, guitars and vocal stacks were recorded, written, arranged, et al. second cycle: other voices, editing, more editing, more editing, sax-o-phone, hammond, holophoner and the mix were achieved. yes, there's some hard edits in there. enjoy them. kind of reminds me of the big agency up in the blue sky. let me know what you think. thank you. good bye.
oh - i should mention that the brilliant piano solo (duo) is performed by my nine month old daughter, Stella.

this is a piece way back from 1998, featuring alex lowe on flute, saxophone and music stand. it was the first time alex played on a compostition of mine. this has been kicking around for a long time, and I've finally found a place to let it out. bit of trivia: towards the end of the piece, near where the saxophone outro starts, there's a noticeable increase in the reverb on the track- while printing the mix, i forgot the reverb was muted (as i was checkign out things prior to printing) and didn't realize until the point where it starts to fade up in the mix. i decided it was a performance mix, and that's the way it should be. things change.

this is taken from a solo show i performed at the EARL in East Atlanta on 27 Dec 2005; i was opening for surlypop - a lovely - oddity of a band that seems to exist no more. the crowd is pretty quiet at tmes - they are actually listening sometimes, and that's a pretty fucking rare thing in atlanta. know what i mean?

this music represents one 24 hour cycle. instead of bandrehearsal, which would have been the last rehearsal as it turns out, i buried my head in the studio and this is what happened. this song was written, arranged, recorded and mixed within twenty-four hours. the further away from it i get, the more i appreciate this one.

this is a melding of many recorded things: sweeping, pianos, most of the instruments in my studio(although most of them were muted), historical audio from the end of jonestown. all the music at the very end of this long podcast is a completely improvised series of overdubs, without referencing the previously recorded parts. no click, even. let me know what you think of this. almost everyone mentions the children crying, for good reason.